Gender, Society, and Expression: An Analysis of the Subject Matter of Bangladeshi Visual Women Artists

Authors

  • Asma Chowdhury Printmaking Discipline, Khulna University, Khulna-9208, Bangladesh
  • Md. Nadimuddaula Printmaking Discipline, Khulna University, Khulna-9208, Bangladesh
  • Lutfunnahar Liza Printmaking Discipline, Khulna University, Khulna-9208, Bangladesh

DOI:

https://doi.org/10.53808/KUS.2025.22.02.1214-fa

Keywords:

Women artists, Society, Women psychology, Women in the art world, Subject matter, Bangladeshi art

Abstract

This study investigates how societal influences shape the subject matter and artistic expression of Bangladeshi women artists, addressing the underexplored intersection of gender, identity, and sociocultural norms in the context of contemporary Bangladeshi art. Despite increasing participation of women in the arts, limited research exists on how societal expectations and gender roles affect their creative decisions and professional development. To bridge this gap, the study adopts a qualitative, phenomenological methodology, employing thematic analysis of in-depth interviews and artworks. The research explores how women artists internalize, resist, or reinterpret socio-cultural pressures through their work, revealing that art often serves as a psychological coping mechanism and a means of social commentary. Findings highlight that these artists navigate complex intersections of personal identity and societal expectation, using art both as self-expression and as a tool to challenge normative structures. This study contributes to a deeper understanding of the sociocultural dynamics influencing women artists in Bangladesh.

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References

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Published

17-08-2025

How to Cite

[1]
A. Chowdhury, Md. Nadimuddaula, and L. Liza, “Gender, Society, and Expression: An Analysis of the Subject Matter of Bangladeshi Visual Women Artists”, Khulna Univ. Stud., pp. 357–365, Aug. 2025.

Issue

Section

Fine Arts

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